3D Printer Setup for Cathenge Production

Creality CR-10 S5 large format 3D printer being modified for Cathenge production.

I’m setting up a print farm of 7 of these CR-10 S5 printers. This is the first one which I am testing modifications on. This printer has a 500*500*500 mm build space, however the stock print bed only heats a 300*300 area, so I have upgraded this with a 500*500 heat mat. I also added the crossbraces since I anticipate that as the print grows tall and the load heavy that the z-axis will need all the reinforcement it can get.

Next up: I will replace the bowden style extruder with a direct drive extruder for greater printing efficiency and capability.

.

3D Printing Catoliths 2022

These feet of a “Mini-Kittolith” are one of the very first things I printed since resolving to undertake on my own the printing of Cathenge for Patricia’s Green myself. 

I’ve opted to print Cathenge myself. It’s a big undertaking – typically people print something the size of an action figure, but it’s possible to do much larger things, and so I’m printing all 6 Catoliths. Doing the printing myself gives me the latitude to experiment with the design and the technique and that is essentially what artistic control is about.

I was able to source high quality yet inexpensive large format 3D printers (Creality CR-10 S5) which give me a 500*500*500 mm build space to work with. I am setting up seven of these printers at my studio in Stinson Beach. Using all seven printers at once I estimate I can produce one cat in 3 days. I’ll begin production of Catoliths by the second week of April and hazard to guess I’ll finish all six Catoliths within a month.

Of course, I get to keep the printers which opens up a whole new world of artistic possibilities for me. Building on my long experience in 3D modeling, I envision new “Crazyological” sculptures 3D printed and embellished with paint, lighting effects, interactivity and/or kinetics. It’s quite exciting!

Cathenge Prototype in David Normal Studio Spring 2019

This 3D printed Catolith prototype “Kittolith”. Printed by Christopher Christensen. This prototype features motion activated interactive purring by Theremin Barney. Ultimately, we settled on touch sensitivity through “Capacitive Sensing” as the mechanism of interactivity for the large Catoliths at Cathenge, Black Rock City 2019.

Photos by Dennis Helladanko and Damon Bivianos

Los Angeles photographers, Dennis Helladanko and Damon Bivianos, documented Cathenge with these stunning photos.

Cat Priestess Saya dances at Cathenge!

Installation creator David Normal at Cathenge.

David Normal with Cat Priestesses at Catolith Fortuna with a cocked head.

Catolith and Burn Brazier

A lone Catolith with Burn Brazier in the foreground. The Burn Braziers were created by flame effects artist, Brad Allen, using WWII era propane tanks that are spherical. Brad cut these tanks in half to create monumental hemispherical braziers that provided an “eternal flame” type effect that greatly enhanced the sacrosanct atmosphere of the Cathenge Cat Temple at Burning Man 2019. The thickly dusty atmosphere shows clearly the beams of light shooting forth from the eyes of the Catolith – an important part of the Cathenge concept; emulating the cats shooting lasers from their eyes internet meme.

Cathenge by Night! – Burning Man 2019

A view of Cathenge at night with all the Catoliths aglow, their Cat Chakras expressing the power of Holofelinity. In the center can be seen Brad Allen’s three Burn Braziers inviting people to gather around their elegant light and their nurturing warmth.

Cathenge the Cat Temple at Burning Man 2019

Cathenge at Black Rock City silhouetted in the setting sun upon the playa of the Black Rock Desert. The Catoliths stand in a 100′ diameter circle around the central platform where the three mighty propane burn braziers built by Brad Allen are mounted. A scaffold for shibari (Japanese Rope Bondage) was erected by Los Angeles rope artist, Argent Lloyd. Photo by Gurps Chawla.

Pizzazium – The Undoing of Lemewria

“Pizzazium” is only a mere approximation of this mysterious missing element, this lost philosopher’s stone, this wonder drug of the cat civilization of Lemewria that once orbited Vega the pole star. Some scholars refer to the conflict between Disco-Reptilians and the Lyran Space Cats as the “Pizzazium Wars” not only due to the amount of style and glamour with which this long fought battle was waged on both sides, but because the essential conflict was over this precious substance, “Pizzazium.” Presumably, the last supplies of this powerful psychoactive element were lost in the destruction of Lemewria apprx. 100,000 BCE. Before this, Lyran Space Cats gradually became addicted to “Transcommodification” – a kind of disassociative polymorphism that was found a relaxing and supremely pleasurable feline pastime which led to widespread epidemic of addiction to becoming – ultimately and for lack of a better description – pizza. Yes, pizza . . .